H o m e R e e lS h o t B r e a k d o w n S t i l l s F o l i oR e s u m eC r e d i t s

C o n t a c t

  
28 weeks later - 16mm and 35mm - log

Original plate:
Both eyes were blue and clear.

Compositor Tracking occular hemmorage into place
Artwork integration
Grading of eye colours and occular hemorhage
Grain added to graded regions
Complete composite
 
Tatterson - HD
Director, Story by, Lead Compositor, Animation, Modeller, VFX, Titles Design, Previz , Storyboards, Style Frames, Matte Painter, On Set VFX Supervision
On Set VFX Supervisor
Concept/Shot Design
2d/3d Animation
Matte Painting		 Shadow creation
File and Asset Management
Previsualisation
Extensive team collaboration with DOP, Velinda Wardell
 
Charlotte's Web - log - dpx
if you can image the post without Charlotte,
this will be the before.		  
Compositor Worked extensively with the lighter to achieve 3d charlotte integration with the live action plate
Enhanced certain features on Charlotte to accentuate her facial features. Shadow and highlight adjustment
Defocus where needed
Grain matching
 
Crooked Mick - HD - Strong Arm Sam and Guss
 
Lead Compositor
Matte Extraction
Background replacement
Colour Grading		 Shadow creation
Tracking
Worked extensively with the DOP to obtain the desired look and feel for each shot throughout CM.
 
Powerade TVC - "Go Fight Yourself" - 35mm
 
On Set VFX Supervision
Team Collaboration on Shot Design and test shoots
Previsualisation		 Complete composite from conception to final.
Character Replacement
Tracking
Colour Grading		 Rig Removal and crash mat removal
Matte Painting
Enhancing Lighting
 
The Ruins - 3d Vine integration - linear- exr
The original plates do not feature any vines the ruins  
  the ruins  
Compositor Worked closely with lighter to replicate live action lighting
3d Vine Grading and highlight/shadow adjustment for integration		 Animation of elements on dirt floor a vines touch
Keying/Roto
Defocus
Complete composite
 
Tatterson - HD
 
 
Director, Story by, Lead Compositor, Animation, Modeller, VFX, Titles Design, Previz , Storyboards, Style Frames, Matte Painter, On Set VFX Supervision
On Set VFX Supervisor
Concept/Shot Design
Animation
3D Modelling (Maya)
Texturing
Integration of live action and 3D plates
Roto and Keying techniques 		Matte Painting
Shadow creation
Tracking using Boujou and hand tracking techniques
File and Asset Management
Previsualisation
Extensive team collaboration with Velinda Wardell (DOP)
 
28 weeks later - cathedral

Original Plate:
Bus Terminal on screen right
People walking through park and sidewalks

 
Compositor Collaborated extensively with 3d artist to track and light 2d matte paintings into place.
Eccentuated Gold cross on top of Cathedral.
2d tracking and plate replacement to remove people in park.

Roto and luma keying to sit matte paintings in place.
 
28 weeks later - body placement

Original Plate:
Clean plate without people

Compositor Placement of RSP'ers into their desired positions (Photos of individuals that needed to be made relatively uniform)
Grading of stills to integrate into live action shadows and highlights
Used 3d track cards for tracking
Complete composite
 
The Ruins - Underskin vines
   
 
 
 
Compositor Underskin grade, shadow and highlight
Skin Bruising
Warping and tracking of vine
Vine displacement through Alcohol 		Roto and luma keying
3d Intergration on forehead
Complete composite
 
Charlotte's Web
Original Plate:
Live action plate without Charlotte 		 
Original Plate:
Rythym and Hues Live action plate with Templeton composited. No Spider 		 
As above
As Above

Compositor

 

 Worked extensively with the lighter to achieve 3d charlotte integration into the live action plate
Grade adjustment and hilight/shadow enhancements 		Charlotte Grade to match Rythm's great Templeton plate
Defocus animation and defocus track
Grain matching
 
28 weeks later - 16mm and 35mm - log
Original Plate:
Woman had brown eyes and without corner eye hemmorage

 28 weeks later  
 
 
Compositor Tracking occular hemmorage into place
Artwork integration
Grading of eye colours and occular hemmorage
Grain added to graded regions
Complete composite 		 
 
 
A World Away - Sony XD Cam
 
 
Compositor Luma keying
Crayon Texture effect creation
Tracking
Monster timing
Monster distortion and displacement through glass and on wall 		Roto
Grade to fit in with live action plate
Extensive collaboration with Director


Instructional Guide to Dating
3D animator and Lead Compositor

As there were 12 boards in total, I needed to create a fairly efficient system to out put thes guys fairly quickly.
The concept is one backboard with the flipping letters and numbers comped on that.
Created entirely in 3d, I devised a rotating rotunder, creating one for each letter and one for the numbers I needed.

I simply rendered out the rotunders and comped them on the backboard.
We then had the freedom to chop and change the meanings and letters without having the setup locked in 3d.

 
Crooked Mick - HD
 
Original plate:
Very similar to the plate above
Lead Compositor
Matte Extraction
Background replacement
Colour Grading		 Shadow creation
Tracking
Worked extensively with the DOP to obtain the desired look and feel for each shot throughout Crooked Mick.
 
 
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